Photoshop and Tapestry Design

Photoshop and tapestry design

Photoshop and tapestry design

I’ve been using Photoshop in my work for a long time. But mostly just very simple cropping and formatting with my knitwear designs. Color correcting, saturation, that kind of thing. An occasional illustration.

Whenever something needed more touch-up, my husband would use the clone tool to clean it up.

Tapestry in progress

Tapestry in progress

I’ve already written here that my hardest decision in tapestry design is color. It stumps me every time.  Sometimes I start a weaving knowing all the colors I will use. Most times, I prefer to make at least some of those decisions as I see the design emerge. I like working this way because I feel it gives the weaving a sense of life and energy.

With this piece, I got to a point in the tapestry where I realized I didn’t intuitively know what color or color combination I wanted for the background. I thought about coloring sketches in with different backgrounds, but that method has always been a tedious one for me.

Then I remembered all those times my husband would use that clone tool to get rid of a hair here or there… And I thought- well- hey- I could do that with color. But instead of getting rid of something, I could add.

So that’s what I did.

A small bit of color woven in

A small bit of color woven in

I wove a tiny bit of a new color combination, photographed it, opened it in photoshop, and used the clone tool to fill in the background. It was pretty quick to do once I got the hang of it and actually, kind of fun, too.

Background with a strand of pale pink, orange, and gold (gold being a pearl cotton along with a strand of sewing thread)

Background with a strand of pale pink, orange, and gold (gold being a pearl cotton along with a strand of sewing thread)

After the orange, I went back and began again with pink.

Two strands of pink (light and medium) with a gold pearl cotton

Two strands of pink (light and medium) with a gold pearl cotton

Next, I kept the pink and decided to add a little grey to the mix.

Pink and a soft grey bundle- no mercerized cotton thread

Pink and a soft grey bundle- no mercerized cotton thread

Then one more with the additional gold cotton added in…

One strand pink, one a soft grey, and one strand of gold pearl cotton

One strand pink, one a soft grey, and one strand of gold pearl cotton

I stared at those 4 combinations for days; something was still not right.

That’s when I turned to the masters. I got out my art history books.

I found color combinations similar to my warm reds, orange, and golds.

That’s where the teal came in.

Two strands of teal

Two strands of teal

Two strands of teal with a darker teal pearl cotton (and added Soumak lines)

Two strands of teal with a darker teal pearl cotton (and added Soumak lines)


I think I’m happy now and ready to get back to the weaving!

Do you use Photoshop or similar programs in designing tapestry? Which ones?